If nothing else, I'm happy Disney bought Marvel yesterday because it's already yielded enough LULz for the rest of the year, what with people calling out for stuff like WALL-E: Herald Of Galactus, Mulan, Agent of SHIELD, Ducktales Noir and the like.
Like a lot of folks, though, I was initially skeptical of the theory that the merger won't affect Marvel's content - after all, that theory was seemingly based on the Everything Is Always Fine In Comics school of thought.
After reading reactions and updates throughout the day, though, I do agree that there's reason to believe the Mouse House will play nice with the House Of Ideas - and not just because of the Disney/Miramax connection. One clue might in fact come from the Distinguished Competition.
After all, DC's long been a subsidiary of Warner Brothers, and that hasn't appeared to slow down Vertigo or WildStorm. And DC's main imprint has, in recent years, been centered on events like Identity Crisis, Infinite Crisis and now Blackest Night, which all drew criticism for their subject matter and violent imagery. And titles like Judd Winick's run on Outsiders and Secret Six are closer to, say, a series on FX than something on Kids' WB. And, hey, the quality control can't be that strict if we're still getting Cry For Justice. (rimshot)
So no, I don't think we're going to see Deadpool forced to shoot only for the kneecap, or The Punisher work for angels again (though even that can't be as bad as the previews I've seen for FrankenCastle.) At least, I don't think so. If X-Force or Deadpool seem to quietly slip away, or if Shatterstar seems to suddenly ditch Rictor for a girl, the questions will come back again.
Top image courtesy of Bleeding Cool
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